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《浴血黑帮》讲述了战后伯明翰地区传奇黑帮家族Peaky Blinders的故事。时间要追溯到1919年，家族成员有一大嗜好，就是将剃刀刀片缝进他们帽子的帽檐之间，这也是“剃刀党”的名称由来。斯里安·墨菲将饰演一名残酷的黑帮份子Tommy Shelby ，是家族兄弟的领袖，嗜血无情。在那个时代，退伍军人、革命者和罪犯，都在社会底层挣扎生存。而当贝尔法斯特的警方负责人开始介入时，Tommy和他的黑帮势力制造出的恐怖统治开始了倾斜。
长篇影评
1 ) 深陷其中的好看与并存的失望
我真的以为会是一部教父一样的剧，结果我错了，前两集让我真的以为男主看破了一切。是要用女主反间之类的。结果竟然一路被卖到了第六集。因为妹子死了兄弟还是喜欢妹子。hai。剧情硬伤，但是着实靓仔。拍的很好尤其是服道化场景等等。
接下来是细节。私藏军火，干掉兄弟（其实没死）和警长交易，透露着一种网文爽文的快感，控制了一切，让人感觉这一切是合适的。结果后来全部失控了。
警长跟手下感叹女间谍比你们全都有用？间谍就是这么简单说出去的嘛。类似的小地方不吐槽但有不少。本来我以为男主看得透一切包括教堂那里就知道了谁泄密，再后来真的被卖了一次之后（抓妹夫）会知道是谁结果一直不知道？？靠女主的爱情和警长莫名其妙的同情就成功了。爱尔兰人来的时候生死大事交给没开过枪的人还抱怨警察来的晚？？？全国第三大赌马公司收下黑帮两大卡车经过了不激情的演讲后被单挑干掉了.....共产党员的转变可真快....女主的本质也许就是渣吧（我真的一直以为tommy在反间或者给出错误的消息误导警察或者验证卧底....）
综上所述。拍摄手法和场景布置甩国产几条街。真正的的时代感和背景不是去崭新的横店电影城就可以拍的出来的。
想了想这和国内的玄幻小说差不多定义吧可以叫做爽文，但是是琅琊榜那种级别有剧情硬伤的好爽文（琅琊榜这个例子不怎么恰当）ps tommy后几集智商最高的就是和结婚有关。比如试出了他弟弟想娶的妓女其实还是....虽然也预料之内的反应但可以说已经是后面陷入爱情tommy的极限了。
说了这么多这部剧的作用就是让很多只看评分决定剧水准高低的朋友们一个清醒认知的机会。剧很好，但没好到九分以上。
2 ) 小失望
三星全部给音乐和基里安好了！
期望越高，失望越大——人物的背景交代太薄了！警长居然就这么放弃追捕Thomas? Thomas就这样爱上了Grace?一个“从法国回来后就对女人不感兴趣”的人? Grace就这么离开组织，不报仇了? Grace杀死了爱尔兰的人就这么算了? 还有Thomas总是让人捉不透，到底哪个是他的真心话，哪些是陷阱?尤其是对着Freddy。前一秒对着Polly 说要Ada 打掉孩子，后一秒又叫Freddy跟她妹妹结婚。
一直期待看警长和Thomas的正面撕破脸，并没有！一直以为Thomas是看穿了Grace，并没有！
最喜欢的角色是Polly。不喜欢女主角。
看到第五集真的忍不住，不过这是我看过的第一个可以不带耳机看的床戏emmmmm……（奇怪的关注点）
还有一集，挺住。
3 ) 久闻大名，大失所望！
第一季前两集不错，从老大与警察头子会面决定交易后，逻辑崩坏，bug到处都是，只能快进拉完。看到那儿戏一般的黑帮火拼，还插入一段母爱演讲，感到演员演得那么认真确实是能装啊！特别是女卧底是无敌存在，这么多漏洞，还杀了爱尔兰共和军头目，居然就是没被发现，我一直在期待最后反转，老大其实是在利用女卧底，不过事实证明我想多了！本来准备看完后面的，翻了一下评论，还是弃剧了！
4 ) [轉] The Big Issue: CILLIAN MURPHY INTERVIEW: “IN THIS STORY THE WORKING-CLASS LOOK SEXY”
電視劇木有評論區，那發這裡好了。。。。。
http://www.bigissue.com/features/interviews/3014/cillian-murphy-interview-story-working-class-people-look-sexy
CILLIAN MURPHY INTERVIEW: “IN THIS STORY THE WORKING-CLASS LOOK SEXY”
INTERVIEWS
LAURA KELLY SEP 18, 2013
Peaky Blinders' Cillian Murphy talks Brummies, Batman, and why he doesn't use Twitter
We have entered the third golden age of telly. Kevin Spacey hit the headlines recently using the phrase, GQ writer Brett Martin has a new book out, Difficult Men: Behind the Scenes of a Creative Revolution, on the topic and critics around the world are chattering about it.
The Wire, The Sopranos, Mad Men, Breaking Bad, Boardwalk Empire: a (mostly American) wave of ambitious dramas has shown that telly is now smarter and more ambitious than cinema.
Peaky Blinders, created by Dirty Pretty Things writer Steven Knight, is among the best of the British attempts to compete with these monolithic super shows. Playing like a Brummie Boardwalk Empire and similarly set after the first world war, it follows Cillian Murphy’s Tommy Shelby, a gang leader who’s just returned from the trenches damaged and still in possession of his gun.
In a Birmingham that was at the time a major centre of industry, he finds himself jockeying for position alongside Communists, the IRA and a particularly ruthless Northern Irish police chief (played with vigour by Sam Neill). Favourite of both Danny Boyle and Christopher Nolan, Cork boy Murphy has become a proper Hollywood celeb in the last few years, but he insists that choosing a BBC Two mini-series for his next job is not as odd as it seems. Peaky Blinders fits in just fine, he says, beside 28 Days Later, Sunshine, The Dark Knight and Inception.
Peaky Blinders is a project that has clearly captured Murphy’s imagination; he spent hours listening to archive recordings of Brummies to get the accent right, as well as thoroughly immersing himself in the period. It also allowed him to stay close to his house in north London, his wife, artist Yvonne McGuinness, and his two young sons, seven-year-old Malachy and six-year-old Carrick. It’s from the kitchen in that family home, sustained by a cup of Barry’s Tea (his favourite Irish brew), that he’s speaking to The Big Issue…
Tell us about your character in Peaky Blinders.
Tommy’s been sent home from the trenches. These men came back and they were just spat out into society without any help. Most of them had lost all time for the establishment and the authorities and the church and everything else. They were damaged men. Then they came back into a society that had been run by women for four years.
The obvious comparison is Boardwalk Empire, given the era…
I unfortunately haven’t got round to Boardwalk Empire – it’s one of my box-sets that I’ve yet to unwrap. I think it’s impossible to make a foray into the gangster genre without rubbing shoulders with the American classics, like The Godfather, Bonnie and Clyde and now Boardwalk Empire. You’ve just got to wear those references openly. What we’ve tried to do here is create something very British.
Birmingham at the time was the industrial capital of the world. It was producing more than Chicago and Detroit. Illegal bookmaking was huge all over Britain. It was run by gangs and there’d be pitched battles with guns and knives. It’s never really been investigated dramatically. Steve [Knight] had this whole block of history to play with, so it’s very rich. I think that separates it from the American stories. It’s refreshing that this is a story where working-class people look sexy and glamorous and stylish. Generally it’s the upper middle class and the aristocracy in British period dramas.
It seems like all the big Hollywood stars want to get involved in TV at the moment.
I definitely think that for writers, having the scope of six or 12 hours to tell a story must be so alluring. Also for me to be able to really investigate every corner, to shine a light into every nook and cranny of the psyche of a character is great. People have talked about it being the equivalent of the novel and I can see why that comparison fits. It is a golden age for TV. It’s clear it’s happening, so you’d be silly not to get involved. TV seems to be filling that place in cinema where clever mid-budget, independent films have been pushed out a little bit by the big franchise, tent-pole movies.
Big franchises like Batman?
Well, yeah… [laughs]. I would consider that a slightly more, um, intelligent rendering of the superhero genre.
How did you find the Brummie accent?
It’s not among the most beloved out there. The Birmingham accent and Birmingham itself hasn’t been fashionable for a while. In terms of the accent, we listened to a lot of archival tapes. My remit was to make it as authentic as possible but also as accessible as possible. Birmingham will deliver its verdict.
They can’t be too unhappy – you’ve made the place look a lot cooler than usual.
I really hope so.
The soundtrack on Peaky Blinders is really striking, featuring Nick Cave, The White Stripes and Tom Waits. As a big music fan, was that exciting?
I was thrilled. It was great to know that those guys actually watched it and liked it. There’s something about those artists – an outlaw quality – that really suits the show.
Been to any good gigs recently?
I’m going to see Björk in a couple of weeks. I saw Alice Cooper in the desert in Albuquerque. He has a lot of energy for a man of his age.
Is it harder to get to as many gigs as you’d want now you have kids?
Yeah, it is kind of hard. Some things you’ll move mountains to see but, you know, you get old and at a certain point you think, God, I’m awful tired. I didn’t used to have that in my twenties.
You’re a bit unusual in the celebrity world in that you don’t use Twitter.
No, I don’t do that. I remember the pre-internet days. I remember when you just met at an agreed hour at the bus station. And if someone didn’t show up, you’d just stand there and wait. You’d give them 25 minutes. This immediacy that we expect now, it’s spilled over into film and everything. I mean, ‘spoilers’ – surely the clue is in the word? To spoil something is to ruin it.
So do you Google yourself?
You know, you’re a liar if you say you haven’t. But I really, really try not to do it because it’s bad for you. Human beings, the way we’re wired – or maybe it’s just an Irish thing – but you never believe the good stuff. You just believe the bad stuff. It can be a negative forum, the internet. I try to stay away from it as much as possible.
You may be right. I actually ran into an entire blog someone had set up dedicated to unflattering screen shots of you.
Isn’t that lovely now? What a way to spend your time and express your creativity. That’s the world of the internet.
The IRA makes an appearance in Peaky Blinders – and you’ve dealt with similar themes before in The Wind that Shakes the Barley. It’s still emotive territory – the director of new film A Belfast Story had to apologise after the film’s PR company sent a bala-clava, nails and duct tape to journalists. Is there a responsibility to have a bit of sensitivity?
Of course there is. If you’re dealing with political or social issues, you have to be mindful of the people who have lived through it. The version of the IRA we’re dealing with is almost 100 years old and it’s very different. Similarly in The Wind that Shakes the Barley, so I think it’s fair game. But [The Troubles] are always going to be rich for drama. It’s all about how you tackle it. That’s obviously an example of not a very sensitive way to promote a film, but I thought Hunger was a great example of a film that was sort of about Northern Ireland but it was also an art film.
Last time we spoke, you were telling us about being a vegetarian and a good cook… have you been watching Great British Bake Off?
No. I haven’t got into it. I’m a MasterChef fella. And I’m actually a lapsed vegetarian.
When did this happen?
About a year ago. I felt I needed some meat. I had some venison. It was amazing. My body was like, yes! My wife’s still veggie but the boys eat meat. We’re a very tolerant household. I do sometimes have to cook two dinners, though.
Did you hear that Christian Bale was apparently offered $50m to reprise the role of Batman in Man of Steel 2? [Before the role went to Ben Affleck].
I wouldn’t believe what you read about that stuff.
It’s a testament to how much of a cultural touchstone that series is that people would believe it. Are you glad to have been part of it?
Ah, yeah, I was very lucky to have been involved in it. I didn’t expect to pop up in the second two either, so that was a nice little treat.
Is there a superhero you’d like to play?
Surely they’ve nearly exhausted them...
They didn’t ask you to be Doctor Who?
No. Did that change hands?
Peter Capaldi’s taking over.
Oh, brilliant. I love him. That’ll be amazing. We don’t watch it – Doctor Who has kind of passed us by in this house. But maybe we will when Peter Capaldi’s in it.
What is next for you?
I’m going to shoot this Ron Howard film in September, In the Heart of the Sea. It’s the true story of the sinking of the Essex by a whale. It’s the story that Melville based Moby Dick on. I read the book in my twenties. I loved it. I mean you have to work at it, there’s a lot of going back to the appendix, but it’s a cracking, cracking book. I read it on holiday before we had kids, so I had a lot of time to lie down. I don’t have that any more.
http://www.bigissue.com/features/interviews/3014/cillian-murphy-interview-story-working-class-people-look-sexy
CILLIAN MURPHY INTERVIEW: “IN THIS STORY THE WORKING-CLASS LOOK SEXY”
INTERVIEWS
LAURA KELLY SEP 18, 2013
Peaky Blinders' Cillian Murphy talks Brummies, Batman, and why he doesn't use Twitter
We have entered the third golden age of telly. Kevin Spacey hit the headlines recently using the phrase, GQ writer Brett Martin has a new book out, Difficult Men: Behind the Scenes of a Creative Revolution, on the topic and critics around the world are chattering about it.
The Wire, The Sopranos, Mad Men, Breaking Bad, Boardwalk Empire: a (mostly American) wave of ambitious dramas has shown that telly is now smarter and more ambitious than cinema.
Peaky Blinders, created by Dirty Pretty Things writer Steven Knight, is among the best of the British attempts to compete with these monolithic super shows. Playing like a Brummie Boardwalk Empire and similarly set after the first world war, it follows Cillian Murphy’s Tommy Shelby, a gang leader who’s just returned from the trenches damaged and still in possession of his gun.
In a Birmingham that was at the time a major centre of industry, he finds himself jockeying for position alongside Communists, the IRA and a particularly ruthless Northern Irish police chief (played with vigour by Sam Neill). Favourite of both Danny Boyle and Christopher Nolan, Cork boy Murphy has become a proper Hollywood celeb in the last few years, but he insists that choosing a BBC Two mini-series for his next job is not as odd as it seems. Peaky Blinders fits in just fine, he says, beside 28 Days Later, Sunshine, The Dark Knight and Inception.
Peaky Blinders is a project that has clearly captured Murphy’s imagination; he spent hours listening to archive recordings of Brummies to get the accent right, as well as thoroughly immersing himself in the period. It also allowed him to stay close to his house in north London, his wife, artist Yvonne McGuinness, and his two young sons, seven-year-old Malachy and six-year-old Carrick. It’s from the kitchen in that family home, sustained by a cup of Barry’s Tea (his favourite Irish brew), that he’s speaking to The Big Issue…
Tell us about your character in Peaky Blinders.
Tommy’s been sent home from the trenches. These men came back and they were just spat out into society without any help. Most of them had lost all time for the establishment and the authorities and the church and everything else. They were damaged men. Then they came back into a society that had been run by women for four years.
The obvious comparison is Boardwalk Empire, given the era…
I unfortunately haven’t got round to Boardwalk Empire – it’s one of my box-sets that I’ve yet to unwrap. I think it’s impossible to make a foray into the gangster genre without rubbing shoulders with the American classics, like The Godfather, Bonnie and Clyde and now Boardwalk Empire. You’ve just got to wear those references openly. What we’ve tried to do here is create something very British.
Birmingham at the time was the industrial capital of the world. It was producing more than Chicago and Detroit. Illegal bookmaking was huge all over Britain. It was run by gangs and there’d be pitched battles with guns and knives. It’s never really been investigated dramatically. Steve [Knight] had this whole block of history to play with, so it’s very rich. I think that separates it from the American stories. It’s refreshing that this is a story where working-class people look sexy and glamorous and stylish. Generally it’s the upper middle class and the aristocracy in British period dramas.
It seems like all the big Hollywood stars want to get involved in TV at the moment.
I definitely think that for writers, having the scope of six or 12 hours to tell a story must be so alluring. Also for me to be able to really investigate every corner, to shine a light into every nook and cranny of the psyche of a character is great. People have talked about it being the equivalent of the novel and I can see why that comparison fits. It is a golden age for TV. It’s clear it’s happening, so you’d be silly not to get involved. TV seems to be filling that place in cinema where clever mid-budget, independent films have been pushed out a little bit by the big franchise, tent-pole movies.
Big franchises like Batman?
Well, yeah… [laughs]. I would consider that a slightly more, um, intelligent rendering of the superhero genre.
How did you find the Brummie accent?
It’s not among the most beloved out there. The Birmingham accent and Birmingham itself hasn’t been fashionable for a while. In terms of the accent, we listened to a lot of archival tapes. My remit was to make it as authentic as possible but also as accessible as possible. Birmingham will deliver its verdict.
They can’t be too unhappy – you’ve made the place look a lot cooler than usual.
I really hope so.
The soundtrack on Peaky Blinders is really striking, featuring Nick Cave, The White Stripes and Tom Waits. As a big music fan, was that exciting?
I was thrilled. It was great to know that those guys actually watched it and liked it. There’s something about those artists – an outlaw quality – that really suits the show.
Been to any good gigs recently?
I’m going to see Björk in a couple of weeks. I saw Alice Cooper in the desert in Albuquerque. He has a lot of energy for a man of his age.
Is it harder to get to as many gigs as you’d want now you have kids?
Yeah, it is kind of hard. Some things you’ll move mountains to see but, you know, you get old and at a certain point you think, God, I’m awful tired. I didn’t used to have that in my twenties.
You’re a bit unusual in the celebrity world in that you don’t use Twitter.
No, I don’t do that. I remember the pre-internet days. I remember when you just met at an agreed hour at the bus station. And if someone didn’t show up, you’d just stand there and wait. You’d give them 25 minutes. This immediacy that we expect now, it’s spilled over into film and everything. I mean, ‘spoilers’ – surely the clue is in the word? To spoil something is to ruin it.
So do you Google yourself?
You know, you’re a liar if you say you haven’t. But I really, really try not to do it because it’s bad for you. Human beings, the way we’re wired – or maybe it’s just an Irish thing – but you never believe the good stuff. You just believe the bad stuff. It can be a negative forum, the internet. I try to stay away from it as much as possible.
You may be right. I actually ran into an entire blog someone had set up dedicated to unflattering screen shots of you.
Isn’t that lovely now? What a way to spend your time and express your creativity. That’s the world of the internet.
The IRA makes an appearance in Peaky Blinders – and you’ve dealt with similar themes before in The Wind that Shakes the Barley. It’s still emotive territory – the director of new film A Belfast Story had to apologise after the film’s PR company sent a bala-clava, nails and duct tape to journalists. Is there a responsibility to have a bit of sensitivity?
Of course there is. If you’re dealing with political or social issues, you have to be mindful of the people who have lived through it. The version of the IRA we’re dealing with is almost 100 years old and it’s very different. Similarly in The Wind that Shakes the Barley, so I think it’s fair game. But [The Troubles] are always going to be rich for drama. It’s all about how you tackle it. That’s obviously an example of not a very sensitive way to promote a film, but I thought Hunger was a great example of a film that was sort of about Northern Ireland but it was also an art film.
Last time we spoke, you were telling us about being a vegetarian and a good cook… have you been watching Great British Bake Off?
No. I haven’t got into it. I’m a MasterChef fella. And I’m actually a lapsed vegetarian.
When did this happen?
About a year ago. I felt I needed some meat. I had some venison. It was amazing. My body was like, yes! My wife’s still veggie but the boys eat meat. We’re a very tolerant household. I do sometimes have to cook two dinners, though.
Did you hear that Christian Bale was apparently offered $50m to reprise the role of Batman in Man of Steel 2? [Before the role went to Ben Affleck].
I wouldn’t believe what you read about that stuff.
It’s a testament to how much of a cultural touchstone that series is that people would believe it. Are you glad to have been part of it?
Ah, yeah, I was very lucky to have been involved in it. I didn’t expect to pop up in the second two either, so that was a nice little treat.
Is there a superhero you’d like to play?
Surely they’ve nearly exhausted them...
They didn’t ask you to be Doctor Who?
No. Did that change hands?
Peter Capaldi’s taking over.
Oh, brilliant. I love him. That’ll be amazing. We don’t watch it – Doctor Who has kind of passed us by in this house. But maybe we will when Peter Capaldi’s in it.
What is next for you?
I’m going to shoot this Ron Howard film in September, In the Heart of the Sea. It’s the true story of the sinking of the Essex by a whale. It’s the story that Melville based Moby Dick on. I read the book in my twenties. I loved it. I mean you have to work at it, there’s a lot of going back to the appendix, but it’s a cracking, cracking book. I read it on holiday before we had kids, so I had a lot of time to lie down. I don’t have that any more.
5 ) BGM整理from BBC homepage
1
Nick Cave
Zanstra
Nick Cave
Martha's Dream
Nick Cave & The Bad Seeds
Red Right Hand
The White Stripes
I Think I Smell a Rat
The White Stripes
St James Infirmary Blues
Nick Cave
Queenie's Suite
Nick Cave
Song for Jesse
2
The Samphire Band
Tough Call
The Raconteurs
Blue Veins
The White Stripes
The Hardest Button to Button
Nick Cave
Proposition #1
The White Stripes
Black Math
Giacomo Puccini
Vedi la Ma Guite Lo Stendo A Tel
Giacomo Puccini
Lo Tenni La Promesca
Nick Cave & The Bad Seeds
Brother My Cup is Empty
The White Stripes
Little Room
3
The White Stripes
When I hear my name
Nick Cave & The Bad Seeds
Abbatoir Blues
4
The White Stripes
I fought Piranhas
Tom Waits
Clap hands
The Raconteurs
Broken Boy Soldier
Nick Cave and Warren Ellis
Martha's dream
5
The White Stripes
Ball and Biscuit
The White Stripes
Little Cream Soda
Nick Cave & The Bad Seeds
God is in the House
Tom Waits
Time
Nick Cave & The Bad Seeds
Bring it on
6
Dan Auerbach
The Prowl
Jack White
Love is Blindness
Nick Cave
Zanstra
Nick Cave
Martha's Dream
Nick Cave & The Bad Seeds
Red Right Hand
The White Stripes
I Think I Smell a Rat
The White Stripes
St James Infirmary Blues
Nick Cave
Queenie's Suite
Nick Cave
Song for Jesse
2
The Samphire Band
Tough Call
The Raconteurs
Blue Veins
The White Stripes
The Hardest Button to Button
Nick Cave
Proposition #1
The White Stripes
Black Math
Giacomo Puccini
Vedi la Ma Guite Lo Stendo A Tel
Giacomo Puccini
Lo Tenni La Promesca
Nick Cave & The Bad Seeds
Brother My Cup is Empty
The White Stripes
Little Room
3
The White Stripes
When I hear my name
Nick Cave & The Bad Seeds
Abbatoir Blues
4
The White Stripes
I fought Piranhas
Tom Waits
Clap hands
The Raconteurs
Broken Boy Soldier
Nick Cave and Warren Ellis
Martha's dream
5
The White Stripes
Ball and Biscuit
The White Stripes
Little Cream Soda
Nick Cave & The Bad Seeds
God is in the House
Tom Waits
Time
Nick Cave & The Bad Seeds
Bring it on
6
Dan Auerbach
The Prowl
Jack White
Love is Blindness
6 ) 配乐超级不完整之整理
配乐赞极!!!!!每次音乐出现加上音乐起了一身鸡皮啊！！腐国怎么那么爱装逼【这是爱】
这个剧组是卧底了几个nick cave和白带的脑残粉啊~~
欢迎补充
搞了个节目单
http://music.douban.com/programme/277130
片头片尾 特别是第一集murphy骑着马路过加上诡异的音乐太带感了。
Nick Cave&the Bad Seeds-Red Right Hand
Let Love In
ep1：
9’30” 督察看完tommy资料
The White Stripes-I Think I Smell A Rat
White Blood Cells
24‘ 卧底妹子出现
Nick Cave/Warren Ellis-Song For Jesse
The Assassination of Jesse James OST
30'10" 大哥在电影院被抓
The White Stripes-St. James Infirmary Blues
The White Stripes
ep2：
4‘ 群殴lee家
The Raconteurs-Blue Veins
虾米 http://www.xiami.com/song/2144949
13’ 烧国王像
The White Stripes-The Hardest Button To Button
专辑：Elephant
24‘30“ 赌马
The White Stripes-Black Math
专辑：Elephant
43’20” tommy杀白马
Nick Cave&the Bad Seeds-Brother, My Cup Is Empty
Henry's Dream
结尾billy走后
The White Stripes-Little Room
White Blood Cells
ep3
23'35"
The White Stripes-When I Hear My Name
专辑The White Stripes
35‘35“ tommy起床
Nick Cave & the Bad Seeds-Abattoir Blues
专辑 Abattoir Blues/The Lyre of Orpheus
虾米 http://t.cn/zRZBG6z
43'15" 赛马会jazz
Ken Colyer-Cataract Rag
度娘 http://t.cn/zRZBc3O
ep4
11'10" tommy丢掉手榴弹后
The White Stripes- I Fought Piranhas
28‘40“ 拿到赌马证后
Tom Waits-Clap Hands
专辑 Rain Dogs
30’50” 阿sir们去查枪
The Raconteurs-Broken Boy Soldier
虾米 http://t.cn/zRUk5Ir
ep5
20‘40“左右 arthur被他爹骗
The White Stripes-Ball & Biscui
专辑elephant
42’ 阿sir来抓人
The White Stripes-Little Cream Soda
专辑Ichky Thump
不确定这首在哪个点，从官网来的
Nick Cave & The Bad Seeds-God is in the House
50'二货上吊【好温暖的歌，听着听着就哭了】
Tom Waits-Time
专辑Rain Dogs
54‘长镜头【太特么美好】
Nick Cave & The Bad Seeds-Bring it on
专辑Nocturama
ep6
21'40"剃刀党出发【太特么装逼了！！好喜欢！！】
Dan Auerbach-The Prowl
专辑 Keep It Hid
52‘20” 好应景的歌
Jack White German-Love is Blindness
--------------------------------------------------------------------------------------
http://t.cn/zRZBt4U
虾米PB同好妹子做的精选集
@Whitelunar
http://www.douban.com/people/SciFiLullabies/
这个剧组是卧底了几个nick cave和白带的脑残粉啊~~
欢迎补充
搞了个节目单
http://music.douban.com/programme/277130
片头片尾 特别是第一集murphy骑着马路过加上诡异的音乐太带感了。
Nick Cave&the Bad Seeds-Red Right Hand
Let Love In
ep1：
9’30” 督察看完tommy资料
The White Stripes-I Think I Smell A Rat
White Blood Cells
24‘ 卧底妹子出现
Nick Cave/Warren Ellis-Song For Jesse
The Assassination of Jesse James OST
30'10" 大哥在电影院被抓
The White Stripes-St. James Infirmary Blues
The White Stripes
ep2：
4‘ 群殴lee家
The Raconteurs-Blue Veins
虾米 http://www.xiami.com/song/2144949
13’ 烧国王像
The White Stripes-The Hardest Button To Button
专辑：Elephant
24‘30“ 赌马
The White Stripes-Black Math
专辑：Elephant
43’20” tommy杀白马
Nick Cave&the Bad Seeds-Brother, My Cup Is Empty
Henry's Dream
结尾billy走后
The White Stripes-Little Room
White Blood Cells
ep3
23'35"
The White Stripes-When I Hear My Name
专辑The White Stripes
35‘35“ tommy起床
Nick Cave & the Bad Seeds-Abattoir Blues
专辑 Abattoir Blues/The Lyre of Orpheus
虾米 http://t.cn/zRZBG6z
43'15" 赛马会jazz
Ken Colyer-Cataract Rag
度娘 http://t.cn/zRZBc3O
ep4
11'10" tommy丢掉手榴弹后
The White Stripes- I Fought Piranhas
28‘40“ 拿到赌马证后
Tom Waits-Clap Hands
专辑 Rain Dogs
30’50” 阿sir们去查枪
The Raconteurs-Broken Boy Soldier
虾米 http://t.cn/zRUk5Ir
ep5
20‘40“左右 arthur被他爹骗
The White Stripes-Ball & Biscui
专辑elephant
42’ 阿sir来抓人
The White Stripes-Little Cream Soda
专辑Ichky Thump
不确定这首在哪个点，从官网来的
Nick Cave & The Bad Seeds-God is in the House
50'二货上吊【好温暖的歌，听着听着就哭了】
Tom Waits-Time
专辑Rain Dogs
54‘长镜头【太特么美好】
Nick Cave & The Bad Seeds-Bring it on
专辑Nocturama
ep6
21'40"剃刀党出发【太特么装逼了！！好喜欢！！】
Dan Auerbach-The Prowl
专辑 Keep It Hid
52‘20” 好应景的歌
Jack White German-Love is Blindness
--------------------------------------------------------------------------------------
http://t.cn/zRZBt4U
虾米PB同好妹子做的精选集
@Whitelunar
http://www.douban.com/people/SciFiLullabies/
7 ) 我理解里的老大和卧底
.
在我的想象里，作为一个合格的黑帮老大：
1.老大的权利必须是毫不动摇的，就算是家人，在帮派里也只是自己的下属。
2.身边必须是明里暗里都有不少人保护的，任何出现在身边的人都要被盘查到祖宗三代，任何来历有一点不清楚的人都会被重点关注。如果不是亲信根本近不了老大的身，更别说是能听到老大谈秘密了。
3.一旦出事，最先怀疑新加入的来历不明的人。
4.上下打点，最好是上面有人。总之一旦风向有变一定会及时有人通知。
5.情报网四通八达，势力范围内一切风吹草动他都能清楚。同时势力范围以外的地方也要广撒情报网，对别人的地盘发生的事也得很了解。
6.每次有行动的时候准备多条方案和多条退路，防止一切意外的发生。
7.老大的爱人不能参与任何帮派活动，不能探听帮派的任何秘密，甚至人身自由都要被限制，不能随便一个人出门。这点应该适用于所有高层人员。
而作为一个卧底....
1.履历一定要清楚。是不是真实的先不说，一定要清楚。
2.每次泄密时要制造可信的不在场证明，不能让任何人知道自己知道这个秘密，至少也得制造“别人泄密的可能性比我大多了”的情况。
3.一旦被卧底探出了什么，上级组织出于保护卧底的原因不能马上行动，至少不能马上让帮派知道有人泄了密。当然，除非卧底干完这票就跑ㄟ( ▔, ▔ )ㄏ
请Tommy和Grace对号入座....
在我的想象里，作为一个合格的黑帮老大：
1.老大的权利必须是毫不动摇的，就算是家人，在帮派里也只是自己的下属。
2.身边必须是明里暗里都有不少人保护的，任何出现在身边的人都要被盘查到祖宗三代，任何来历有一点不清楚的人都会被重点关注。如果不是亲信根本近不了老大的身，更别说是能听到老大谈秘密了。
3.一旦出事，最先怀疑新加入的来历不明的人。
4.上下打点，最好是上面有人。总之一旦风向有变一定会及时有人通知。
5.情报网四通八达，势力范围内一切风吹草动他都能清楚。同时势力范围以外的地方也要广撒情报网，对别人的地盘发生的事也得很了解。
6.每次有行动的时候准备多条方案和多条退路，防止一切意外的发生。
7.老大的爱人不能参与任何帮派活动，不能探听帮派的任何秘密，甚至人身自由都要被限制，不能随便一个人出门。这点应该适用于所有高层人员。
而作为一个卧底....
1.履历一定要清楚。是不是真实的先不说，一定要清楚。
2.每次泄密时要制造可信的不在场证明，不能让任何人知道自己知道这个秘密，至少也得制造“别人泄密的可能性比我大多了”的情况。
3.一旦被卧底探出了什么，上级组织出于保护卧底的原因不能马上行动，至少不能马上让帮派知道有人泄了密。当然，除非卧底干完这票就跑ㄟ( ▔, ▔ )ㄏ
请Tommy和Grace对号入座....
探长突然掏出戒指那下，Ada突然推出婴儿车那下，很狗血很狗血
当年Bowie给Cillian寄了那张戴帽子的照片说这是他cos的peaky blinder，Cillian回信把扮演Tommy的帽子寄给了Bowie🎩
BBC，还有啥可说的，镜头、时代感、灯光、服装、道具。
Cillian Murphy三百六十度光影大片
只要你看下去就会发现此剧除了BGM烘托的气氛简直一无所有，我撑完第一季就永久弃了。剧情能不能再sb一点，黑帮火拼程度还不及铜锣湾古惑仔，各路人马的智商都被黑道家族爆出翔，更不要提火线了。男主一副运筹帷幄的样子结果被来历不明演技不佳的女卧底唬得团团转，我怀疑在大西洋帝国活不过两集。
一開頭就是粵語 必須講句 是我看這麼多英美劇里最標準的發音了
斯里安帅成这样没救了...
恭喜基莲遇到了这么棒的角色，睿智、果敢、狠辣有时甚至专断但绝对重情义，抹不去的心理创伤，以及摄影师的杰克苏属性，用光、角度各种讲究，对着基莲各种特写特写特写，绝赞的BGM，这一切的一切赋予了Tommy Shelby这个角色致命的魅力。还是要吼一吼基莲好美好帅，衣服好好看，被苏成渣！第二季酷爱来
配乐张力十足！一个有好BGM的剧通常不会太差
开头那标准粤语还以为下错片，有冇人奶。今年新剧里最好看！冷拽酷再加Nick爷的配乐逼格赞飞天了！墨菲戴帽子气场超足，摄影妥妥脑残粉，每个镜头美得内伤。伯明翰腐烂败落脏乱差气氛营造得太强，黑帮家族,布尔什维克,军方冲突有看头。美女卧底设定略弱智，跟阿sir会面智商特做鸡。蛋疼结局又要等一年
善于计谋，拿捏住身边所有人，却对一个明显来路不明的女人不问过往，不加防备，我不理解。对不起，我更想看拔吊无情。
这部剧给我最深的印象就是：以型男走台的姿势演绎黑帮火并。
业界良心
画面，配乐很赞，好像一幕大戏要开演了。
Cillian Murphy真的好帅啊！\(^o^)/~帽子，帽子，帽子真心给片儿加分啊！
睡完照心窝捅一刀完事儿说这都是公事但我真的爱你啊！女卧底滚犊子吧！BGM爆赞！
明明各方面都如此过硬的一部剧 为什么感情线如此的lame呢。。 偶像剧的threesome啊。。。//摄影师一定暗恋男主很久了吧！
我这种土鳖还是觉得这部比大西洋帝国更容易follow啊TVT
高水准！除了丘吉尔选的太XX外，其他还真找不出什么吐槽点~必追英剧之一~
这么多年第一次get到基里安到底帅在哪里+1 （看完第五集心满意足，手动再见）